Through the invention of a form I would call "free pixels", I seek the essence of things, the atom that triggers the recognition of the form. By this new language, I play with our cerebral tendencies which seek to name things tirelessly. Then the spectator is enroled in a prolonged and more intense contemplation. Thus, the notion of the known is erased and when the magic is there, the image hatches, it is truth, it becomes a clear mirror.